Veronica Mars meets Dexter? I’m in. I can’t wait to read Killing Ruby Rose by Jessie Humphries.
When Ruby Roses’s LAPD SWAT sergeant father dies, her mom puts her into therapy to help her through the trauma. After 6 months of seeing a psychiatrist, Ruby Rose decides to take her healing into her own hands–by continuing her father’s work and going after the bad guys herself. When she succeeds and kills a murder, she catches the attention of the wrong person and ends up being hunted down. Ruby Rose has to figure out who it is before things get worse.
This debut novel by Jessie Humphries sounds like a lot of fun! I like the idea of a girl taking on the work of her SWAT sergeant father and getting herself in too deep. My only hope is that her schemes aren’t half-baked or thoughtless–I hope she’s conniving and clever (a bit like Veronica Mars).
Killing Ruby Rose by Jessie Humphries
In sunny Southern California, seventeen-year-old Ruby Rose is known for her killer looks and her killer SAT scores. But ever since her dad, an LAPD SWAT sergeant, died, she’s also got a few killer secrets.
To cope, Ruby has been trying to stay focused on school (the top spot in her class is on the line) and spending time with friends (her Jimmy Choos and Manolo Blahniks are nothing if not loyal). But after six months of therapy and pathetic parenting by her mom, the District Attorney, Ruby decides to pick up where her dad left off and starts going after the bad guys herself.
When Ruby ends up killing a murderer to save his intended victim, she discovers that she’s gone from being the huntress to the hunted. There’s a sick mastermind at play, and he has Ruby in his sights. Ruby must discover who’s using her to implement twisted justice before she ends up swapping Valentino red for prison orange.
With a gun named Smith, a talent for martial arts, and a boyfriend with eyes to die for, Ruby is ready to face the worst. And if a girl’s forced to kill, won’t the guilt sit more easily in a pair of Prada peep-toe pumps?
Waiting on Wednesday is a weekly meme hosted by Breaking the Spine.
Welcome to Lumberjanes, a Camp for Hardcore Lady Types where the motto is “Friendship to the MAX!” The story centers on a group of five girls in the same cabin, who are wandering around the woods in the middle of the night. They’re searching for something and are about to give up and go back to their cabin when a pack of three-eyed foxes attack. The girls put up a good fight and fend off the foxes, but when the foxes tuck tail and leave, they shine a mysterious message into the sky with their third eye—Beware the kitten holy. Baffled and shaken up from the battle, the girls head back to their cabin.
They sneak in, thinking it’s all clear, only to be discovered by their cabin counselor! Enraged, the counselor marches them straight to the camp director. The girls are worried that they’ll get in trouble—with the camp and their parents—but as they tell the director their story, things become even more mysterious…
The most enjoyable part of Lumberjanes is truly the characters. The cabin of five girls are all different—different shapes and sizes, different skin tones, different personalities—but they’re still good friends. There’s the spastic Ripley; preppy and eager April; stealthy and mysterious Jo; nervous-about-getting-in-trouble Molly; and sarcastic Mal. Every character is unique and interesting, and I can’t wait to read more about them in the next issues.
The art style has clean lines, and every panel tells a lot about either a character or the setting. The dialog is sharp and snappy, which carries the pace of the plot throughout. Lumberjanes has delightful phrases such as, “Oh my Bessie Coleman!” that really creates a fun atmosphere for the comic.
Overall, the first issue of the new Lumberjanes series was spunky, funny, and altogether enjoyable. I highly recommend checking it out. For all of you who have read it and can’t wait for the next issues like me, check out the playlist below compiled from the one included at the end of the issue!
Librarian’s recommendation: Lumberjanes is suitable for all ages. The “cursing” in the comic consists of phrases such as “What in the Joan Jett are you doing?!” or “What the junk?”
Maybe it’s that the girl on the cover looks like Merida from Brave, maybe it’s that the novel sounds similar to the movie as well, but I’m really looking forward to Deception’s Princess by Esther Friesner. The book is about Maeve, an Irish princess who is trying to find her own way in the world and hoping to find someone to love her for herself, not just her title and the kingdom that comes with it. When she meets the son of a visiting druid, she has to decide whether to stay loyal to her heart or her family
Deception’s Princess by Esther Friesner
Maeve, princess of Connacht, was born with her fists clenched. And it’s her spirit and courage that make Maeve her father’s favorite daughter. But once he becomes the High King, powerful men begin to circle—it’s easy to love the girl who brings her husband a kingdom.
Yet Maeve is more than a prize to be won, and she’s determined to win the right to decide her own fate. In the court’s deadly game of intrigue, she uses her wits to keep her father’s friends and enemies close—but not too close. When she strikes up an unlikely friendship with the son of a visiting druid, Maeve faces a brutal decision between her loyalty to her family and to her own heart.
Award-winning author Esther Friesner has a remarkable gift for combining exciting myth and richly researched history. This fiery heroine’s fight for independence in first-century Ireland is truly worthy of a bard’s tale. Hand Deception’s Princess to fans of Tamora Pierce, Shannon Hale, and Malinda Lo.
Waiting on Wednesday is a weekly meme hosted by Breaking the Spine.
Would it be too cheesy to say that I’m a fangirl of Fangirl by Rainbow Rowell? Well I am. This book is amazing. After reading Eleanor and Park, when I found out that Rainbow Rowell was publishing another novel, I was very excited. Luckily the novel lived up to my expectations.
Fangirl is a coming-of-age story about a girl named Cather who is starting her freshman year of college. The novel begins as Cath is moving into her dorm room, and we quickly learn that she is upset because she’s rooming with a stranger rather than her twin sister, Wren, with whom she expected to share a dorm room and the college experience, as they’ve shared everything else for their entire lives. Wren, however, wants to learn what it’s like not to be part of a pair. She wants the full college experience of branching out and experiencing new things, and she believes the best way to do this is separate from her sister.
Cath deals with this frustration and separation from her sister, which is exacerbated by her severe social anxiety, which keeps her from even going to the food court for weeks until her roommate finds out and drags her along. As she warms up to her roommate, she also warms up to her roommate’s boyfriend, or at least who she thinks is her roommate’s boyfriend, considering he’s always hanging around.
The college experience challenges Cath all around, and in her writing class, her professor challenges her beyond fanfiction, and Cath starts to question whether she can even be a professional writer. Fangirl is filled with the ruts and bumps that go hand-in-hand with growing well beyond one’s own comfort zone and will have you rooting for Cath along the way.
Cath is more interested in her world online where she writes popular fanfiction than what is actually going on around her. She’s a huge fangirl over a Harry Potter-level famous wizarding story called Simon Snow, and her fanfiction is sprinkled throughout the novel, adding a charming touch of insight to Cath’s world.
She also suffers from severe social anxiety. While having lunch with her sister, Wren is shocked that Cath has hardly spoken to her roommate:
“’You still haven’t talked to her?” Wren asked at lunch the next week.
“We talk,” Cath said. “She says, ‘Would you mind closing the window?’ And I say, ‘That’s fine.’ Also, ‘Hey.’ We exchange ‘heys’ daily. Sometimes twice daily.”” (p. 31)
Cath struggles with her relationships with everyone around her, making mistakes and learning from them. She fights with her sister, but she never gives up on her, although more than once she gives up on herself. She doesn’t magically learn her self-worth by the end of the story, nor does she “cure” her social anxiety, but she makes great steps toward learning who she is, standing firm in her boundaries, and mending relationships with the most important people in her life. This is what makes her not only relatable but a great role model.
Wren is the opposite of reclusive Cath; Wren likes going to parties and drinking, while Cath is horrified by the notion; Wren responds when the mother who abandoned them reaches out, while Cath puts up a wall and refuses to have anything to do with her; Wren wants to move past their Simon Snow obsession, while Cath wants to cling on. Although twins, they are very different, something that they have work through together.
Reagan is an upperclassman stuck in a freshman dorm due to overcrowding. Her bold yet apathetic personality is a good foil to Cath’s reclusion, since she helps nudge Cath outside of her restrictive personal limits without being pushy or crossing boundaries. Reagan is also very flirtatious and Cath notices that she stays out with different guys a lot. The great thing about Fangirl is that it doesn’t feed the culture of slut shaming. Cath notes her roommate’s habits but doesn’t pass judgment on her, other than wondering if her “boyfriend” realizes, but then considering that maybe he knows and is okay with having an open relationship.
Levi is one of my all-time, absolute favorite love interests ever. He always has a big, goofy grin and has the persistence and eagerness of an adorable Labrador puppy. He’s a down-to-earth country boy Ag major who drives a truck, works at Starbucks, and shares a house with way too many guys than is sanitary. The best part of Levi is that he is flawed. He is not a perfect character, despite his magnificence, and he makes a huge mistake that he and Cath have to try to work through.
Fangirl is straight-forward, without any flowery language, which is good for keeping the reader in the story. Well-written language is a pleasure to read, but sometimes it can pull the reader out of the story when they stop and say, “Wow, what a beautiful description,” rather than being immersed in the world the author created.
At the beginning of each chapter is short passage or quote from Cath’s Simon Snow fanfiction, and throughout the novel, the reader gets longer excerpts when relevant to the story. The inclusion of the Simon Snow fanfiction was a great touch, since it brings insight into Cath’s world, as Simon Snow is her obsession and takes up most of her focus. Fanfiction played a big role in my life, especially in the height of my Harry Potter obsession, so I appreciated reading the excerpts.
READ THIS BOOK RIGHT NOW. Seriously, if you haven’t read a Rainbow Rowell book yet, what are you waiting for? Her books are amazing, especially Fangirl.
Recommended for teens 14+. References sex and shows alcoholism, but portrays alcohol negatively.
Now the news of a movie adaptation of a beloved book can be cringe worthy for many people, and for good reason. (I’m looking at you, Prisoner of Azkaban.)
There’s even better news, though! Rainbow Rowell herself will be writing the screenplay! What’s more, she has expressed her fears of Eleanor being cast as a thin girl or Park being cast as “Keanu Reeves,” and the studio calmed her fears by promising that they don’t want to to that either. They want to adapt the novel true to the text.
I for one am excited! Eleanor & Park is a fantastic story, and I can’t wait to see it on screen. Now it’s time to sit back and speculate who’s going to be cast! Who do you think would make a good Eleanor & Park?
I am jaded against teen romance novels, and I tend to avoid them on principle. Jennifer E. Smith is slowly changing my opinion on the matter, though. The Statistical Probability of Love at First Sight was absolutely wonderful (and one of my all time favorite romance novels, at that) and This Is What Happy Looks Like was equally delightful.
Her new novel, The Geography of You and Me, is about Lucy and Owen who get stuck in an elevator together during a city-wide blackout. Once they are rescued, they spend the night in each other’s company before they both travel to opposite sides of the globe. Once separated, they struggle to keep in contact with each other in a long-distance relationship.
The Geography of You and Me by Jennifer E. Smith
Lucy and Owen meet somewhere between the tenth and eleventh floors of a New York City apartment building, on an elevator rendered useless by a citywide blackout. After they’re rescued, they spend a single night together, wandering the darkened streets and marveling at the rare appearance of stars above Manhattan. But once the power is restored, so is reality. Lucy soon moves to Edinburgh with her parents, while Owen heads out west with his father.
Lucy and Owen’s relationship plays out across the globe as they stay in touch through postcards, occasional e-mails, and — finally — a reunion in the city where they first met.
A carefully charted map of a long-distance relationship, Jennifer E. Smith’s new novel shows that the center of the world isn’t necessarily a place. It can be a person, too.
Waiting on Wednesday is a weekly meme hosted by Breaking the Spine.
John Green is one of those prolific authors I’ve heard about for a while and whose writing I was fairly certain I’d enjoy, though I never actually got around to reading any of his books. With all of the excitement over the upcoming movie, I was bound to eventually be spoiled, so I decided to delve into The Fault in Our Stars.
The Fault in Our Stars is about Hazel Grace, a teenage girl with lung cancer. Although Hazel’s cancer plays a big role in her life, the story is about her growing as a person and learning to let people in and learning to let herself fall in love even though she may be a metaphorical grenade that could go off at any moment, leaving those she loves emotionally devastated.
One day at Support Group, Hazel meets a boy named Augustus Waters. They eye each other throughout the meeting and afterward, hit it off right away. Hazel goes over to his house to watch a movie, and on her way home, they exchange their favorite books and promises to see each other again. The romance is a push and pull of Augusts’s eagerness and Hazel’s weariness, which shows even on the first day, when Hazel doesn’t agree to see August again until he finished reading her favorite book.
Much of the plot is driven by Hazel’s favorite book—An Imperial Affliction. She gives Augustus the book to read, and as they discuss the terrible ending (which stops in the middle of a sentence, after the main character presumably dies from cancer), Augustus decides to contact the author and succeeds! Peter Van Houten writes back, explaining that he won’t put in writing what happened at the end of the novel, as that would qualify as a sequel, but if they were in Amsterdam, where he lives, he would gladly tell them in person. So Augusts decides they should go to Amsterdam! And he conveniently saved his Wish from the Make A Wish Foundation, which will completely pays for him, Hazel, and Hazel’s mom to fly to Amsterdam and meet Van Houten.
They have trouble along the way, including getting clearance from Hazel’s doctors, but eventually they make it and meet Van Houten, and in the process learn about each other and Fall In Love.
Hazel is a pretty awesome character. The narrative gives the reader a look into Hazel’s thoughts, which she mostly hides from everyone else. She’s very real and upfront about what she’s going through and her view of the world, which can border on cynicism but would better be described as realism. Hazel has faced death and constantly lives with a countdown hanging above her head, and that kind of experience can only serve to bring into perspective what’s truly important.
When she meets Augusts, his eager attention unsettles her, and she is afraid of letting him get too close—not because he might hurt her but because she might hurt him. She falls for the tempting act of deciding what’s best for someone else and pushes him away. Later, though, she realizes that Augustus “knew what he was doing, didn’t he? It was his choice, too.” (p. 104). Hazel’s journey of emotional growth is definitely worth reading.
Augustus, on the other hand…is Augustus. I’m sure he’s a fan favorite, but I didn’t much care for him. Augustus is kind, sweet, giving, understanding, and altogether perfect, rolled into a nice ball of pretention, which made for a character that grated. One of the first things that we learned about Augustus is that he has this weird thing for metaphors, which, sure, fine that’s cool. Except for this:
“Then Augusts Waters reached into a pocked and pulled out, of all things, a pack of cigarettes. He flipped it open and put a cigarette between his lips.
“Are you serious?” I asked. “You think that’s cool? Oh, my God, you just ruined the whole thing.”
“They don’t kill you unless you light them,” he said as Mom arrived at the curb. “And I’ve never lit one. It’s a metaphor, see: You put the killing thing right between your teeth, but you don’t give it the power to do its killing.”
“It’s a metaphor,” I said, dubious. Mom was just idling.
“It’s a metaphor,” he said.
“You choose your behaviors based on their metaphorical resonances…” I said.
“Oh, yes.” He smiled. The big, goofy, real smile. “I’m a big believer in metaphor, Hazel Grace.” (p. 19-20)
It was quirky and endearing when he did it the first time, but as this odd habit continued, I found myself rolling my eyes and sighing in frustration. Really, though, my biggest problem with Augustus is that he’s too perfect; he is virtually flawless. Like the male counterpart to the Manic Pixie Dream Girl, Augustus swoops in and shows Hazel How To Live Life To The Fullest! If Augustus had a little more character definition (and a little less metaphorical cigarette non-smoking), then he would have been a much better character.
The supporting characters were fantastic—especially Isaac, who receives the Best Character Award. Isaac is Augustus’s friend, though Hazel knew him before from Support Group. Isaac has eye cancer and, after living for years with only one eye, is getting his second eye removed, making him blind. To top off the awful, Isaac’s girlfriend dumps him right after his surgery, so not only does he have to deal with his blindness, but he has to deal with losing the relationship he thought would always be there. Isaac’s reactions are just so real, and I appreciated it. I enjoyed every scene he was in and wished there was more of him.
One common criticism of TFIOS is that the characters are unbelievably smart and don’t talk like teenagers. This criticism is definitely true, but I don’t really think it’s a problem. The dialog is sharp and witty, which makes its over intelligence forgivable.
One stylistic choice that bothered me was how sometimes words or phrases were capitalized to show that they were Important Special Words You Should Pay Attention To. (I sprinkled a few immersive examples throughout this review.) Like Augustus’s metaphorical non-smoking, it was endearing the first time, but after the hundredth time, it got old.
My biggest issue with TFIOS was that it was pretentious. For example, Hazel and Augustus would fawn over Peter Van Houten’s letters, saying how brilliantly written they were, which basically is John Green writing about how brilliantly he wrote Van Houten’s letters. That in addition to Augusts’s entire character made for a rather pretentions novel. A very well-written pretentious novel, don’t get me wrong, but still pretentious.
Furthermore, in the very beginning of the novel when Hazel is describing her favorite novel, An Imperial Infliction, a book about cancer, Hazel makes a point to say, “But it’s not a cancer book, because cancer books suck” (p. 38), which was John Green’s way of saying that TFIOS is NOT a Cancer Book…but it is. Sure, the plot isn’t about Hazel’s cancer, but everything in the novel centers around it and we’re made to feel deeply for these characters solely because they have cancer and it sucks.
Issues aside, The Fault in Our Stars is a good book and worth the read, so long as you don’t mind crying. A lot. Be prepared—read TFIOS with a box of tissues handy.
TFIOS contains mild profanity, mentions of sex, and very emotionally taxing situations. Recommended for mature teens (14+).
When I first heard about David Levithan’s new book, I was very excited to read it. I finally got my hands on it, my excitement level skyrocketed because I got to meet the author (who is super nice, by the way) and have him sign the book! After I read it, though, I was so disappointed that it took me well over a year to get my feelings down and post it. So, here it goes! My review of Every Day by David Levithan, and why I was disappointed.
Set in the backdrop of Maryland, Every Day follows the life of ‘A,’ a person who has no body of his own. Every day, A wakes up in a different body and tries to live that person’s life without disrupting it noticeably.
Things change on Day 5994 of A’s life. As he’s trying to live a day in the life of yet another person, A falls in love with a girl. Rhiannon is dating Justin, which works out for A since that’s who he is for the day, meaning he’s also dating Rhiannon. On an impulse, A decides to drive to the coast with Rhiannon, breaking all of his self-imposed rules. The next day when he wakes up, he’s in a different body, a different life, but he can’t forget Rhiannon. Every subsequent day, A attempts to find new ways of being with Rhiannon, no matter the cost.
A is a tragic character. He has no family, no home, no stability, no real identity. He can live only in the now, for tomorrow he will always move on to a different body. I felt like this was reflected well in his character, whose desperation bordered on control at times. The logic of A made me uncomfortable, and as a consequence, I didn’t really like him. It wasn’t exactly his character, per se, because if he actually had a body of his own and had a sustained identity, then I think I would like him. However, I didn’t like the fact that whatever A was meant that he inhabited other people’s bodies, and it was a total invasion of personal space, privacy, and essentially was as creepy as stalking
Rhiannon was easily my favorite character in the novel. She has serious self-esteem issues, which are reflected in her souring relationship with Justin. I liked the way she reacted to A, though, and I like that she did reinforce her personal boundaries with him. Although she was in an unhealthy relationship with her boyfriend, she wasn’t blinded by it. She knew that he wasn’t a great guy, but she just held on and hoped that he would change, especially after the day at the beach, when she thought he was being spontaneous and romantic, but really it was just A. She has friends and a life of her own outside of her boyfriend and outside of A, and she also has a realistic relationship with her family.
Every Day is driven by A’s love for and attempt to connect with Rhiannon, and the plot is very heavily focused on the characters, so if you don’t like them, you won’t enjoy the book. This ended up being the case for me—I didn’t like A, and the romance made me uncomfortable. I could have excused this if there was more about what exactly A is, but it’s the elephant in the room throughout the book (he has no body!) and it’s hardly addressed, and I became very frustrated.
As usual, David Levithan’s writing style was absolutely beautiful. The best thing about the book was seeing the radically different lives of the people A inhabited. There is such a broad spectrum of people, and some of the most powerful scenes are A battling the personal demons of the people he’s inhabiting.
My favorite scene of the book is when A wakes up in the body of an alcoholic girl who wakes up and can’t access the memories from the night before—the girl has blacked out, and A is trying to piece together the mess of a life that she lives. Finally, a psychiatrist comes to visit, and as A talks to him, he starts to remember:
“Anthony. That name is the fact that is too bright to hide. My body convulses in pain. Pain is all I can feel.
Anthony. My brother.
My dead brother.
My brother who died next to me.
My brother who died next to me, in the passenger seat.
Because I crashed.
Because I was drunk.
Because of me.
“Oh my God,” I cry out. “Oh my God.”
I am seeing him now. His bloody body. I am screaming.
“It’s okay,” Dr. P says. “It’s okay now.”
But it’s not.
A also in habits the body of a suicidal girl and struggles with the question of whether he should intervene on her plans to kill herself in a few days by telling someone, or whether he should let it be, since it’s her choice. He inhabits the bodies of an illegal immigrant worker, a morbidly obese boy who can’t control his eating, a pious, home-schooled teen, and so many more. Really, the variety of people whose lives A inhabits is really fascinating.
Overall, I liked the concept of Every Day, but the execution was lacking. I felt like Every Day was experimental for David Levithan and a way for him to express his beliefs on gender, sexuality, and identity and how these things affect love and relationships. Much of the story fell flat for me, as parts made me uncomfortable, such as the way A interacted with Rhiannon. Furthermore, the more reckless A becomes, the more he endangers his inhabited person’s life, which brings up the issue of personal violation. Regardless of his intention or even lack of control of his circumstances, the undeniable truth is that every day, A is violating another person’s life and privacy. It really creeped me out.
Every Day is a character-driven book; I didn’t like the main character, so I didn’t like the book. I could have looked past it if the plot was better, but that too was lacking. I was incredibly disappointed by this book, from which I expected great things, being a fan of David Levithan’s writing. At the end, I gave it 2 out of 5 stars.
Recommended to mature teens, 16+ as there is some mature content (heavy petting, characters discussing sex), as well as difficult issues (contemplative suicide, results of drunken manslaughter, characters dealing with alcoholism, etc).